Apr 16, 2016

Alberto Ginastera

Alberto Ginastera was born on April 11, 1916, and it was a hundred years later, on April 11, 2016, that the Spectrum Symphony presented a centennial commemoration of the Argentine composer at the Broa...
Apr 14, 2016

The Crucible

The director Ivo van Hove has turned his eye on THE CRUCIBLE, Arthur Miller’s treatment, in 1953, of the Salem witch trials as analogous to McCarthyism. Van Hove’s version begins, as did his A Vie...
Apr 9, 2016

Sense & Sensibility

To put Jane Austen on stage is to make sensible the implicit theatricality of her novels. To be Kate Hamill, adapting Sense and Sensibilty as SENSE & SENSIBILITY, and acting its principal role, is...
Feb 29, 2016

Pericles

No play in Shakespeare is more impelled by the power of story than PERICLES. It could be a tale improvised on the spot, out of bits of myth and wrinkles of fate, a complication here, a resolution ther...
Feb 25, 2016

The Cherry Orchard

Things are ironically prominent in the THE CHERRY ORCHARD brought by the Maly Drama Theatre of St. Petersburg to the Brooklyn Academy of Music. Most of the action happens on a pile of household posses...
Feb 12, 2016

Annemarie Heinrich

They might, in an English novel, have been called “womanly,” the left perched elegantly on the grip of the cane, the right draped, like a napkin, across the opposite wrist. From there, the eye fol...
Feb 1, 2016

The Tango Fado Project

Manhattan Camerata will deliver again, this time with flowers, THE TANGO FADO PROJECT to (le) poisson rouge for, albeit a day late (on Presidents Day), a “Valentine’s Concert.” This is not a gim...
Jan 9, 2016

King Charles III

Watched without sound, the Broadway production of Mike Bartlett’s KING CHARLES III would suggest a Shakespeare in modern dress, a tragedy or a history, drawing some sort of parallel with the current...
Dec 28, 2015

A View From the Bridge

I took an onstage seat for the Young Vic production at the Lyceum in New York. First row, right, center. I stared at a black scrim, an aisle’s width away. Two hours later, there was a drop of red li...
Dec 6, 2015

Carol

Acting is the art of the inscrutability of the self. If, as Sartre would have it, the other person is unknowable, and, as Grotowski said, “no one can know the mind of the other person,” then it is...