Sense & Sensibility
To put Jane Austen on stage is to make sensible the implicit theatricality of her novels. To be Kate Hamill, adapting Sense and Sensibilty as SENSE & SENSIBILITY, and acting its principal role, is...
Carol
Acting is the art of the inscrutability of the self. If, as Sartre would have it, the other person is unknowable, and, as Grotowski said, “no one can know the mind of the other person,” then it is...
Thérèse Raquin
The whites, greys and blacks of the Roundabout’s THÉRÈSE RAQUIN are so muted that, when a brown-hued backdrop appears, it is like a flash of color, and so, later on, is a sparse scattering of autu...
From the Earth to the Moon
He was, when I was growing up, a boy in a normative Middle American family, essential reading, along with Conan Doyle, Tolkien, and a few others. But I have the sense, hoping that I am wrong, that Jul...
Blue is the Warmest Color
The very first thing I noticed about BLUE IS THE WARMEST COLOR was that blue was the commonest color in shot, after shot, after shot. Articles of clothing, pieces of furniture, spots of paint on the w...
A Christmas Carol
Dickens’ Scrooge has always reminded me, at least a little, of Shakespeare’s Lear. There is a similar majesty to his tale, although the outcome is comic rather than tragic, and he is, of course, p...
La ruta de Lorca
On June 5, the birthday of the great Spanish poet and playwright Federico García Lorca, I joined LA RUTA DE LORCA EN NUEVA YORK, a walking tour of some of the poet’s haunts in the vicinity of C...
The Great Gatsby
I saw Baz Luhrmann’s THE GREAT GATSBY through 3D glasses, and I would not have seen it any other way. The whimsical unreality of it, the whole cinematic pop-up book of staggered planes and optically...