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Lera Lynn
Start with her name and her voice. They both speak of country and its close cousins folk and Americana. The name implies a pedigree that, so far as I know, is coincidental (assuming it is not a stage name: other than that she is from Georgia and went to certain schools, her available bios are,…
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Melissa Aldana
South Americans get the saxophone in a way that gets to me. It started with Gato Barbieri and Last Tango in Paris, his tenor paradoxically sharp and lush, a bite and a kiss. It stayed with me, like an inoculation against its own forgetting, since first I heard it. Then, a few years ago, when…
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Emel Mathlouthi
With Emel Mathlouthi, I confronted the difficulty of listening to political song in a language I do not understand. In some ways this should not have been hard. She tells us what the titles mean or the lyrics refer to: freedom and justice, breaking silence with speech and putting pen to paper, not to avert…
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Gato Barbieri
I was able, on Monday night, to watch Gato Barbieri play the saxophone from a few paces away. He is in his early 80s, but nothing in his music wears and in the breath that powers it nothing falters. It was, in fact, among the things that struck me the most that his sound, even…
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Postales
I knew from seeing her a year ago that Karina Beorlegui can be streetwise and a little punky. Now I know that she can be supremely elegant. I knew that she could be tart and witty and clever. Now I know that she can be lush and suave and cosmopolitan. I knew that she was…
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Antigona
Noche Flamenca’s ANTIGONA presents Sophocles’ tragedy using the conventions of flamenco dance, music and song. It connects the original theme, of a sister seeking to bury a disgraced brother against the dictates of the city state of Thebes, with recent efforts to exhume, identify and respectfully re-inter victims of the Franco regime in Spain. In…
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Ariel Ardit
Trim but stout looking, with a widow’s peak the curves of which seem to raise the eyebrows on his armadillo face, giving him a look not of surprise but of perpetual sympathy and amusement, the tango singer Ariel Ardit could be a clown or comedian were it not for his consummate posture and deportment, strong,…
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Sophie Auster
The personae of Sophie Auster are ever shifting, and she unites them in a persona that avoids the fatal stamp of a changeless character. To appreciate her in performance is to grasp the fluidity of the shifts and the constancy of what ties them together. She projects herself physically and visually, and who she becomes…
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Danças Ocultas • Pires
I made my way to Newark on Saturday to hear Nathalie Pires sing fado and on the way encountered a quartet of diatonic accordionists called Danças Ocultas. Artur Fernandes, Filipe Cal, Filipe Ricardo, and Francisco Miguel, who formed the group in 1989, were the first half of the program at the New Jersey Performing Arts…
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Tango for Import
TANGO FOR IMPORT is, as a tango album, remarkably literate. The liner notes by Adam Tully are, to begin with, unusually astute, capturing the arterial flow of a long tradition. The CD ranges from early 20th century tangos to two of his own compositions, which could, on a casual listen, have been composed decades ago.…