Oct 18, 2011

The Select

I have always had mixed feelings about the Hemingway ouvre, but The Sun Also Rises has the special virtue of being perfect. It is one of those novels – Fitzgerald’s Gatsby is another ̵...
Jul 10, 2011

A Magic Flute

Of the historically significant theatrical productions that I wish somehow to have been in a position to see, Peter Brook’s pared-to-its-essence Carmen is near the top of the list. So I approached t...
May 31, 2011

Sleep No More

I was one of those lining up on Memorial Day night to see Punchdrunk’s SLEEP NO MORE in the Chelsea gallery district. The Scottish play as nightmare is an old trope, well founded in the text. So to ...
Nov 29, 2010

The Marriage of Maria Braun

I saw the last performance of THE MARRIAGE OF MARIA BRAUN on Sunday afternoon at BAM, with the memory of the Fassbinder film from many years ago still vivid in my mind. Rainer Werner Fassbinder was on...
Nov 10, 2010

Penelope

On one level, Enda Walsh’s PENELOPE is just a modernization of an episode from The Odyssey. Four suitors – living at the bottom of a drained out swimming pool on Odysseus’s Adriatic estate – v...
Nov 6, 2010

Gezeiten

GEZEITEN is directed and choreographed by Sasha Waltz, performed in two parts, and much of it in silence. The style of this dance theater piece is at first abstract, then a sort of deconstructed Natur...
Apr 26, 2010

Creditors • Uncle Vanya

It comes as no surprise that Alan Rickman, a mordantly arresting screen actor, would have an affinity for Strindberg, and he has directed CREDITORS with terrifying deftness. Less performed than Miss J...
Sep 30, 2009

After Miss Julie

It would be nice to see a production of Miss Julie in which Strindberg’s instructions for a naturalistic setting which exists largely in the wings, and that we see only a corner of, were actually fo...