Mar 7, 2010

The White Ribbon

Michael Haneke‘s THE WHITE RIBBON is beautifully shot in black-and-white, ambiguous, enigmatic, sometimes a little awkward and even a bit stiff. Although the familiar Haneke mix of Hitchcockian susp...
Dec 12, 2009

Mortal Engine

I saw GLOW, the short original on which Chunky Move’s one-hour MORTAL ENGINE , now playing at BAM, is based, two or three years ago. It was startling in its merger of technology and honed, condi...
Dec 11, 2009

Last Tango in Berlin

LAST TANGO IN BERLIN is the current show by the sort of legendary Ute Lemper (even though I have never warmed to her recordings), tango themed, in an intimate venue, around the block from my office. O...
Nov 13, 2009

Where the Wild Things Are • Antichrist

If you want to see a film in which a child goes into the snow because his mother gives a higher priority to pleasing the man in her life, in which psychological and spiritual insight is attained throu...
Oct 18, 2009

Bär-bõ-né

The eccentrically punctuated Bär-bõ-né (vaguely evoking its Avenue B location) is ostensibly Italian, and the menu bears out the claim – antipasti, primi, secondi – but there is something unmis...
Oct 12, 2009

26 Seats

When I first moved to the East Village in New York City, 26 Seats was an okay bistro around the corner with decent but not terribly memorable food or ambiance. I tried it once, was indifferently satis...
Sep 30, 2009

After Miss Julie

It would be nice to see a production of Miss Julie in which Strindberg’s instructions for a naturalistic setting which exists largely in the wings, and that we see only a corner of, were actually fo...
Jul 13, 2009

Lincoln Center Festival

Two from this year’s LINCOLN CENTER FESTIVAL: I saw Les Éphémères in two parts on Saturday and Sunday at Park Avenue Armory. There’s a lot I could write about it (of the French genius f...
Jun 11, 2009

Everyday Rapture

EVERYDAY RAPTURE, now playing at 2econd Stage Theatre, is a reminder that some theatrical genres, and some specific works, arise from the urgent need for certain personalities possessed of particular ...
May 22, 2009

Exit the King

The Broadway revival of EXIT THE KING is an opportunity to revisit Ionesco‘s absurdist critique of the logical fallacies of political power and entitlement, even if, in this adapted version, the...