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Elsewhere
My first foray at BAM’s new Fishman Space was ELSEWHERE. Described as an opera for cello, it was the sort of living artwork that washes over you, its individual elements inseparable from general sensation, even with one of them, the cello, plainly at the core. The cellist Maya Beiser cut an imposing figure vocally and…
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Magnus Eroticus
If you are like I was the day before yesterday, you know the Greek composer Manos Hadjidakis solely by virtue of the classic soundtrack for Never on Sunday, for which he won the Oscar for Best Original Song in 1960. If you are like me today you would on Thursday evening have attended an intimate…