• Le Bourgeois Gentilhomme

    Le Bourgeois Gentilhomme

    Théâtre des Bouffes du Nord‘s LE BOURGEOIS GENTILHOMME, now at the Lincoln Center Festival, matches high style with a ragamuffin disdain for it. Molière’s send-up of social snobbery under the reign of Louis XIV, in which the petit bourgeois M. Jourdain aspires to aristocratic status, veers from mannered satire to a savage buffoonery. All manner…

  • Sense & Sensibility

    Sense & Sensibility

    To put Jane Austen on stage is to make sensible the implicit theatricality of her novels. To be Kate Hamill, adapting Sense and Sensibilty as SENSE & SENSIBILITY, and acting its principal role, is to layer it further. To be Bedlam doing it at The Gym at Judson, with a flair for double-casting and Shakespearean…

  • A Month in The Country

    A Month in The Country

    Taylor Schilling has as thin a theatrical resumé as anyone in A MONTH IN THE COUNTRY, but she dominates the first half of the Classic Stage Company’s production of Turgenev’s pre-Chekhovian comic drama. She is imposing in stature and resonant as a bell, with a focus astute and un-rattled by the peculiarities of the material.…