Jun 27, 2017

Festitango 2017

June 20-25 was my third time at the Festival International de Tango Medellín, a festival I like for its musical programming, its focus (in the city of Gardel’s death) on singers, and the window it ...
Jul 30, 2015

Miss Julie

I think that I have never seen a Miss Julie quite like Chulpan Khamatova’s. It’s not just that Thomas Ostermeier, the director, and Mikhail Durnenkov, the adapter, have updated and transposed Stri...
Jul 24, 2015

Ubu roi

Cheek by Jowl’s UBU ROI is a brilliant contradiction. It is austere and messy, infantile and wise, ego and id, beautiful and repulsive. It hangs together and falls apart. Lasts long and ends soon. G...
Jun 26, 2015

Ariel Ardit

Trim but stout looking, with a widow’s peak the curves of which seem to raise the eyebrows on his armadillo face, giving him a look not of surprise but of perpetual sympathy and amusement, the tango...
Aug 15, 2014

The Maids

From the moment I saw Alice Babidge’s design for Jean Genet’s THE MAIDS, I knew I would feel differently about this, the third Cate Blanchett import I have seen from the Sydney Theatre Company. It...
Jul 10, 2011

A Magic Flute

Of the historically significant theatrical productions that I wish somehow to have been in a position to see, Peter Brook’s pared-to-its-essence Carmen is near the top of the list. So I approached t...