Nov 29, 2010

The Marriage of Maria Braun

I saw the last performance of THE MARRIAGE OF MARIA BRAUN on Sunday afternoon at BAM, with the memory of the Fassbinder film from many years ago still vivid in my mind. Rainer Werner Fassbinder was on...
Nov 6, 2010

Gezeiten

GEZEITEN is directed and choreographed by Sasha Waltz, performed in two parts, and much of it in silence. The style of this dance theater piece is at first abstract, then a sort of deconstructed Natur...
Oct 30, 2010

A Quiet Place

The Leonard Bernstein-Stephen Wadsworth opera A QUIET PLACE was not well received when it premiered in 1985, but after seeing its first New York performance on Wednesday night, by the New York City Op...
Jun 25, 2010

Anton Chekhov’s The Duel

ANTON CHEKHOV’S THE DUEL captures much of the strange poetry of diffidence and indirection that makes Chekhov a great dramatist and his comic dramas so difficult to perform. Indeed, one of the film...
Jun 24, 2010

Ondine

The trailer for ONDINE does not even try to capture the delicacy of Neil Jordan‘s new film, which is more lyrical and poetic than suspenseful and melodramatic. Myths and fairy tales are not so m...
Apr 26, 2010

Creditors • Uncle Vanya

It comes as no surprise that Alan Rickman, a mordantly arresting screen actor, would have an affinity for Strindberg, and he has directed CREDITORS with terrifying deftness. Less performed than Miss J...
Sep 30, 2009

After Miss Julie

It would be nice to see a production of Miss Julie in which Strindberg’s instructions for a naturalistic setting which exists largely in the wings, and that we see only a corner of, were actually fo...