• Beatriz Nunes

    Beatriz Nunes

    The pairing of an innovative but sensitive guitarist with a singer who works and explores the voice is a bracing, all-too-rare format. Raül Refree perfected it with both Sílvia Pérez Cruz and Rosalía, to stunning effect. The Portuguese singer Beatriz Nunes and the guitarist André Silva, whom I saw Friday night at Drom, are of…

  • Rita Redshoes

    Rita Redshoes

    Rita Redshoes does, to begin with, wear red shoes. They were rarely glimpsed Monday at Joe’s Pub, amid the onstage monitors, but accented her black outfit assertively. Redshoes’ given name – she is Portuguese – is Pereira. Whether there is a story to the stage name, I don’t know, but it fits her art pop…

  • The Tango Fado Project

    The Tango Fado Project

    Manhattan Camerata will deliver again, this time with flowers, THE TANGO FADO PROJECT to (le) poisson rouge for, albeit a day late (on Presidents Day), a “Valentine’s Concert.” This is not a gimmick: the heart of the camerata is, in its own words, “a couple in love who were invited to participate by another couple…

  • Carminho • Sara Tavares

    Carminho • Sara Tavares

    The fadista Carminho sang almost by surprise last week at City Winery. The concert was announced perhaps a week before, but she stood before a full house, following an energetic set by the Portuguese creole artist Sara Tavares. It wasn’t the only way she surprised me. I expected, from what I had seen of her…

  • Danças Ocultas • Pires

    Danças Ocultas • Pires

    I made my way to Newark on Saturday to hear Nathalie Pires sing fado and on the way encountered a quartet of diatonic accordionists called Danças Ocultas. Artur Fernandes, Filipe Cal, Filipe Ricardo, and Francisco Miguel, who formed the group in 1989, were the first half of the program at the New Jersey Performing Arts…

  • Sofia Ribeiro

    Sofia Ribeiro

    Hearing the Portuguese jazz singer Sofia Ribeiro last weekend at Cornelia Street Café was, for me, a real discovery. She is, to begin with, wonderful in front of an audience, good-naturedly self-effacing, bouyant and open in a way that wends its way through her personality and into her music. The most wistful and reflective of…

  • Gisela João

    Gisela João

    To hear and see Gisela João is to be reminded of fado in its familiar glories, but also to be divested of its stereotypes. We remember, or learn, that fado can be cheerful as well as sad, that the feet can move as well as the body sway; that the deep emotion is restrained before…

  • Tango-Fado

    Tango-Fado

    One of the happier minor features of the Cornelia Street Café is that from some seats in the house you can change your vantage by watching the musicians in a wall mirror rather than face on. This isn’t a bad metaphor for the reflections of and on musical forms that I saw and heard when…

  • Sara Serpa

    Sara Serpa

    I’ve heard good report of the Portuguese vocalist Sara Serpa for a while now, and I finally heard her live on Friday night. Her genre is jazz, but do not expect to hear the standards from her, at least not in their usual form. Serpa is an experimentalist, and an intellectual, and her repertory includes…

  • Ana Moura

    Ana Moura

    The title of Ana Moura’s new collection is DESFADO, and I take that to mean, without knowing Portuguese, that it is fado, but not, or fado but at an angle, askew; or perhaps it means to be taken by fado, touched by it as by madness, kidnapped by its pirate lilt and stirred by its…