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Old Hats
I believe that any respectable dictionary must include as one of the definitions of “sui generis” the words “Nellie McKay”. Has anyone encountered anywhere another such being, so precocious, eccentric, old-timey, modern, sweet, caustic, irreverent, generous, unforgiving, feminine, feminist, brilliant, faux naïve, and Nellie-knows-how-many-other qualities that I can’t begin to put my finger on? Is…
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Sonia M’Barek
Some of the most interesting cultural programming in New York is presented by the French Institute Alliance Française, and this month is no exception. WORLD NOMADS 2013: TUNISIA is featuring dance, music, the visual arts, and film from the former French colony, some of it addressing the politics of the Arab spring and issues of…
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Sara Serpa
I’ve heard good report of the Portuguese vocalist Sara Serpa for a while now, and I finally heard her live on Friday night. Her genre is jazz, but do not expect to hear the standards from her, at least not in their usual form. Serpa is an experimentalist, and an intellectual, and her repertory includes…
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Ana Moura
The title of Ana Moura’s new collection is DESFADO, and I take that to mean, without knowing Portuguese, that it is fado, but not, or fado but at an angle, askew; or perhaps it means to be taken by fado, touched by it as by madness, kidnapped by its pirate lilt and stirred by its…
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María de Buenos Aires
That which is good about Beth Greenberg’s production of Ástor Piazzolla’s MARÍA DE BUENOS AIRES for Opera Hispánica is so very good that one doesn’t even want to think about that which is awkward or even bad about it. The supertitles are dreadful, no matter how difficult the surreal imagery of Horacio Ferrar’s libretto is…
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Iris Dement
I have changed since last I heard Iris Dement live, sometime in the late ‘90s soon after the release of what, until now, was her last album of original songs. She was for me in that decade the premier artist of that conglomeration of bluegrass, gospel, country, acoustic protest, blues, and anthemic individualism that we…
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South American Festival
Monday night at the Zinc Bar, the Lilihouse Agency presented the first annual NYC SOUTH AMERICAN MUSIC FESTIVAL. Four hours, four artists and their bands, four from the bar to lighten the heat. First up: Juancho Herrara (top), a Colombian born Venezuelan, with a precise, insistent and sardonic sound, streetwise and urban in tone; his…
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Tango Mediterraneo
Tango Mediterraneo is a welcome addition to the options we have in New York to listen to live tango music. It has a distinctive sound, sharp and individualized in its instrumentation, and is fronted by Stratos Achlatis, the accordionist and singer, whose dulcet – I want to say honeyed – voice adds just the right…
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Por el agua de Granada
Last week at Terraza 7 Train Cafe I saw POR EL AGUA DE GRANADA … CANCIONERO LORQUIANO, a collaboration of the Spanish singer Lara Bello and the guitarist Eric Kurimski to present renderings of Federico García Lorca’s poems and lyrics. As it happens, Bello is the very first person I would turn to for such…
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Astoria Tango Club
On my first visit to Buenos Aires, an expatriate American that I became acquainted with said to me that the city had a “theme”, which he smartly suggested to me was “nostalgia”. He pointed to the Kennedy-era cars on every block, the coffeehouses with their bow-tied waiters, the grand Parisian architecture, and, although he scarcely…