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Por amor al tango
A visit to Colombia to attend the Festival International de Tango de Medellín in June overlapped with a tour of the country by La Guardia Nueva, the guitar trio from Argentina that, earlier this year, won a first annual world competition for tango orchestras. They presented POR AMOR DEL TANGO, a CD featuring the singer…
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Festitango 2017
June 20-25 was my third time at the Festival International de Tango Medellín, a festival I like for its musical programming, its focus (in the city of Gardel’s death) on singers, and the window it opens on the city’s tango culture, which values professional distinction and amateur achievement in equal measure. There are competitions for…
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Pablo Estigarribia
The Argentine pianist Pablo Estigarribia balanced his concert last week, at Mezzrow in New York, on a tripod of genres. Trained, at first, in classical, he came, at age twenty or so, to tango, a course that he has followed for the past decade. He has studied and played with top tango figures and found…
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Our Last Tango
The Wim Wenders produced OUR LAST TANGO, by German Kral, reconciles art with life and narrative cinema with documentary. The lives are those of María Nieves Rego and Juan Carlos Copes, probably the longest enduring couple in Argentine tango as a performing art. I am careful how I put that, because there are social dance…
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Alberto Ginastera
Alberto Ginastera was born on April 11, 1916, and it was a hundred years later, on April 11, 2016, that the Spectrum Symphony presented a centennial commemoration of the Argentine composer at the Broadway Presbyterian Church in Manhattan. The wide-ranging and innovative concert wasn’t limited to works and performances by Ginastera or other artists with…
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The Tango Fado Project
Manhattan Camerata will deliver again, this time with flowers, THE TANGO FADO PROJECT to (le) poisson rouge for, albeit a day late (on Presidents Day), a “Valentine’s Concert.” This is not a gimmick: the heart of the camerata is, in its own words, “a couple in love who were invited to participate by another couple…
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Gato Barbieri
I was able, on Monday night, to watch Gato Barbieri play the saxophone from a few paces away. He is in his early 80s, but nothing in his music wears and in the breath that powers it nothing falters. It was, in fact, among the things that struck me the most that his sound, even…
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Postales
I knew from seeing her a year ago that Karina Beorlegui can be streetwise and a little punky. Now I know that she can be supremely elegant. I knew that she could be tart and witty and clever. Now I know that she can be lush and suave and cosmopolitan. I knew that she was…
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Ariel Ardit
Trim but stout looking, with a widow’s peak the curves of which seem to raise the eyebrows on his armadillo face, giving him a look not of surprise but of perpetual sympathy and amusement, the tango singer Ariel Ardit could be a clown or comedian were it not for his consummate posture and deportment, strong,…
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Tango for Import
TANGO FOR IMPORT is, as a tango album, remarkably literate. The liner notes by Adam Tully are, to begin with, unusually astute, capturing the arterial flow of a long tradition. The CD ranges from early 20th century tangos to two of his own compositions, which could, on a casual listen, have been composed decades ago.…