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Paul Auster

New York has a lot of national centers and institutes whose programming I follow, but FIAF (French Institute Alliance Français) may have the most interesting and provocative. I say that as someone whose second language, such as it is, is Spanish, and who knows French only insofar as it resembles that other Romance language, or…
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The Heiress

What Jessica Chastain conveys with great success in THE HEIRESS is a young woman on the cusp of a change in manners. She is ill-at-ease in the 19th century of calling cards and formal visits, with its peculiar conventions of courtship and parental approbation, but with a certain cluelessness about what will replace it, and…
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4 Prepared Dreams

Hypnotism and the theater have a long and well-known relationship, beginning with the public demonstrations by the imitators of Dr. Mesmer in the 19th century and proceeding to the present. I still remember the acts that came through the parts of the country where I grew up, in which ordinary people, at least ostensibly, were…
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Liberal Arts

Josh Radnor – who acts in, directs and writes LIBERAL ARTS – plays an admissions officer in an unnamed urban university in New York City who revisits his alma mater, a liberals arts college in Ohio, also nameless, to deliver a tribute at the retirement dinner for a favorite professor. Before he leaves, we see…
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Omoo Solo Voice

I saw a rather fascinating vocal performance on Friday night at Two Moon Art House and Cafe in Brooklyn. This is only the second OMOO SOLO VOICE concert by the young Swiss singer-songwriter Emilie Weibel, and there is doubtless much refinement to come. What is striking about her show is that she travels light, just…
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Habit

Think of those situations when you find yourself looking through windows at the private lives of other people. Walks through small towns or suburban neighborhoods at night or in the evenings, when the lights are on in the homes you pass but the curtains are undrawn; certain units in apartment buildings right across the way…
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Einstein on the Beach

Seeing EINSTEIN ON THE BEACH at BAM put me in mind of the designer Edward Gordon Craig, who just over a century ago publicly desired the transformation of actors into übermarionettes, by which means he would have wrestled the idiosyncratic presence of human beings on stage into the service of an overarching artistic vision. The…



