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Under the Greenwood Tree

The cross-dressing heroines of Shakespeare’s comedies create a new social relation by virtue of their masquerades and the secret knowledge they hold. They are thus empowered to influence events to a degree otherwise unpermitted of their sex, and so fulfill Beatrice’s repeated plaint in Much Ado About Nothing: “O that I were a man.” The…
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Prisma

I waited a few days to listen to Camila Meza’s PRISMA, the release of which she celebrated last week at the Kitano. The recording is more than representative of her great talent, exceeding my expectations, which were high to begin with. She has transported the ethereal vibe of her earlier work, which always seemed to…
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Tango House

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Por el agua de Granada

Before time overcomes the memory, I should say something about the presentation last Thursday by Lara Bello and Erik Kurimski of their new CD of folk songs collected by the Spanish poet García Lorca. What I knew going in was that Bello is the ideal interpreter of the material. I have heard her before in…
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Tangolandó

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Harmony in Process

Among the visual artists producing work to the music of the Gabriel Alegría Afro-Peruvian Sextet at HARMONY IN PROCESS Saturday night at ShapeShifter Lab was Patti Maciesz, who sat center stage and made little illustrated tags for the audience in response to what she was hearing and seeing. This is the one she handed to…
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Willie Colón

I assumed that seeing Willie Colón: La Historia last Saturday at the Lehman Center in the Bronx would be entirely new territory for me, and I was uncertain whether I would be able to follow my usual practice of publishing a few notes when I see a performer that I enjoy, find interesting, or otherwise…
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Cristina Pato

It’s not clear just how seriously to take the claim of the Iberian province of Galicia to Celtic heritage. There were some ancient settlements, the ruins of which can be seen today. The country’s name is related to “Gaelic” and to “Gales”, which is Spanish for “Wales”. But anyone who has looked into the subject…

