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Festitango 2017
June 20-25 was my third time at the Festival International de Tango Medellín, a festival I like for its musical programming, its focus (in the city of Gardel’s death) on singers, and the window it opens on the city’s tango culture, which values professional distinction and amateur achievement in equal measure. There are competitions for…
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Tania Stavreva
My first sight and sound of Tania Stavreva was at a tribute to the Argentine composer Alberto Ginastera in his centennial year. The Bulgarian-born pianist opened the concert, to great effect, with two Ginastera pieces and one, “Bulgarian Prelude” (2016), that she had written in his honor. I noticed afterward, following her career, that she…
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Pablo Estigarribia
The Argentine pianist Pablo Estigarribia balanced his concert last week, at Mezzrow in New York, on a tripod of genres. Trained, at first, in classical, he came, at age twenty or so, to tango, a course that he has followed for the past decade. He has studied and played with top tango figures and found…
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Personal Shopper
PERSONAL SHOPPER is a great film by Olivier Assayas and Kristen Stewart is great in it. It follows upon Assayas’ Clouds of Sils Maria, also with Stewart, a great film too and parallel in structure. PERSONAL SHOPPER swaps out the fictional for the supernatural or implies, perhaps, that the two are one and the same.…
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The Hairy Ape
The first image you see at Eugene O’Neill’s THE HAIRY APE at the Park Avenue Armory are rows and rows of seats, ready to absorb the arriving audience into a yellow, Borg-like mass. The implication is that, once we are seated, the play will redound on us with its expressionistic theme: society as a machine…
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Manifesto
MANIFESTO is an installation by Julian Rosefeldt of 13 short films in simultaneous play in the darkened space of the Park Avenue Armory. More than one, but never all, of the screens are visible from a given point. Cate Blanchett, playing different roles in each film, delivers lines taken from some 55 manifestos (most artistic,…
