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Victoria
It was to my surprise that at the commercial showing of VICTORIA I attended, Sebastian Schipper, the director, Sturla Brandth Grøvlen, the cameraman-cinematographer, and Laia Costa, who plays Victoria, were on hand for a post-film discussion. It was a triple threat panel, a trio of virtuosity. What we had seen was the third take of…
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Makbet
The Theatre Group Dzieci is a Grotowski-inspired art and service collective that has lived for a decade with Shakespeare’s Scottish play and is only now presenting it, as MAKBET, in a theatrical run. They charge you nothing to see it, but pay the hat (you should) and accept from them a “piece of paper” that…
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Antigone
ANTIGONE is the most sedate of the productions I have seen directed by Ivo van Hove, but it might be the most deeply thought-provoking. There is little to be gained from it without thought. It hasn’t the sadism of his Hedda Gabler, the pain of his Cries and Whispers, the angst of his Scenes from…
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Gato Barbieri
I was able, on Monday night, to watch Gato Barbieri play the saxophone from a few paces away. He is in his early 80s, but nothing in his music wears and in the breath that powers it nothing falters. It was, in fact, among the things that struck me the most that his sound, even…
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Postales
I knew from seeing her a year ago that Karina Beorlegui can be streetwise and a little punky. Now I know that she can be supremely elegant. I knew that she could be tart and witty and clever. Now I know that she can be lush and suave and cosmopolitan. I knew that she was…
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Miss Julie
I think that I have never seen a Miss Julie quite like Chulpan Khamatova’s. It’s not just that Thomas Ostermeier, the director, and Mikhail Durnenkov, the adapter, have updated and transposed Strindberg’s 1888 original, making Julie the spoiled daughter of a Russian general rather than a Swedish count, the celebration of New Year’s instead of…
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Ubu roi
Cheek by Jowl’s UBU ROI is a brilliant contradiction. It is austere and messy, infantile and wise, ego and id, beautiful and repulsive. It hangs together and falls apart. Lasts long and ends soon. Grosses out and achieves epiphany. It is not to be missed and – no, it is not to be missed. Not,…
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Antigona
Noche Flamenca’s ANTIGONA presents Sophocles’ tragedy using the conventions of flamenco dance, music and song. It connects the original theme, of a sister seeking to bury a disgraced brother against the dictates of the city state of Thebes, with recent efforts to exhume, identify and respectfully re-inter victims of the Franco regime in Spain. In…
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Druid Shakespeare
Death, in DRUID SHAKESPEARE: THE HISTORY PLAYS, is an invading parasite. Crosses accumulate on grave mounds like sprouts from bulbs, lives owed, as someone says, to God, payment, with interest, for birth in the world. The plays essayed by this Irish company are four in seven hours – the tetralogy of Richard II, Henry IV…
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The Princess of France
There is a type of film that tells a story from Shakespeare, with or without his language, that happens in a time and place that might be called “a world without Shakespeare.” A plot unfolds that is recognizable as that of a Shakespeare play. But, a funny thing about the unfolding: in a milieu that…