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Carol
Acting is the art of the inscrutability of the self. If, as Sartre would have it, the other person is unknowable, and, as Grotowski said, “no one can know the mind of the other person,” then it is the actor’s conundrum to know the mind of the person she plays and make him knowable to…
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A Doll’s House
The version of A DOLL’S HOUSE currently at BAM positions the iconic play within the Ibsen canon as a whole, an act that is no mere literary exercise, but which draws upon the entire body of work to invigorate the drama at hand. I think that there is no other playwright who so approaches Shakespeare…