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The Hairy Ape
The first image you see at Eugene O’Neill’s THE HAIRY APE at the Park Avenue Armory are rows and rows of seats, ready to absorb the arriving audience into a yellow, Borg-like mass. The implication is that, once we are seated, the play will redound on us with its expressionistic theme: society as a machine…
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Lulu
In William Kentridge’s production of Alban Berg’s LULU at the Metropolitan Opera, consciousness comes, hesitantly, into being, fragments, reconfigures itself, then shatters again, and is still, hours later, in uncertain consonance with the exterior world. It’s a completely realized work of Expressionist theater, the fin de siècle form that portrayed an individual perspective at odds…
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Skylight
Carey Mulligan is as good onstage at the John Golden Theatre as she is in the movies. As Kyra, the passionate teacher in David Hare‘s SKYLIGHT, she seems, quite simply, settled into the modest flat and routine, hard-nosed realism of the character. It is her place, her home, her way of being. Echoing what I…
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The Killer
The Bérenger plays of Ionesco – in which an ordinary man finds himself in a variety of situations – are what they are, but it can be illuminating to consider them in terms of artistic and literary movements. I tend to agree that they don’t exactly qualify as existentialist or absurdist. It is, granted, pretty…
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Machinal
Any credible list of the greatest U.S. plays would include Sophie Treadwell’s MACHINAL. It is our tautest and most rigorously constructed in the Expressionist mode, by any standard a masterpiece of feminist art, and one of the most universally applicable (and least commercially motivated) of all BOATS (Based-On-A-True-Story) dramas. It has not been revived on…
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Cries and Whispers
If there is a single work that drew me to European art film as an undergraduate it was Ingmar Bergman’s CRIES AND WHISPERS. With its ticking clocks, raw yet controlled acting, and dark psychology (including an act of self-mutilation the shock value of which has only recently been equaled by von Trier’s Antichrist) it was…