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Beatriz Nunes
The pairing of an innovative but sensitive guitarist with a singer who works and explores the voice is a bracing, all-too-rare format. Raül Refree perfected it with both Sílvia Pérez Cruz and Rosalía, to stunning effect. The Portuguese singer Beatriz Nunes and the guitarist André Silva, whom I saw Friday night at Drom, are of…
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The Tango Fado Project
Manhattan Camerata will deliver again, this time with flowers, THE TANGO FADO PROJECT to (le) poisson rouge for, albeit a day late (on Presidents Day), a “Valentine’s Concert.” This is not a gimmick: the heart of the camerata is, in its own words, “a couple in love who were invited to participate by another couple…
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Carminho • Sara Tavares
The fadista Carminho sang almost by surprise last week at City Winery. The concert was announced perhaps a week before, but she stood before a full house, following an energetic set by the Portuguese creole artist Sara Tavares. It wasn’t the only way she surprised me. I expected, from what I had seen of her…
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Postales
I knew from seeing her a year ago that Karina Beorlegui can be streetwise and a little punky. Now I know that she can be supremely elegant. I knew that she could be tart and witty and clever. Now I know that she can be lush and suave and cosmopolitan. I knew that she was…
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Danças Ocultas • Pires
I made my way to Newark on Saturday to hear Nathalie Pires sing fado and on the way encountered a quartet of diatonic accordionists called Danças Ocultas. Artur Fernandes, Filipe Cal, Filipe Ricardo, and Francisco Miguel, who formed the group in 1989, were the first half of the program at the New Jersey Performing Arts…
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Sofia Ribeiro
Hearing the Portuguese jazz singer Sofia Ribeiro last weekend at Cornelia Street Café was, for me, a real discovery. She is, to begin with, wonderful in front of an audience, good-naturedly self-effacing, bouyant and open in a way that wends its way through her personality and into her music. The most wistful and reflective of…
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Karina Beorlegui
When Karina Beorlegui alternates between tango and fado, she discerns a unity deeper than the obvious affinities and plays with something more than complementarity or contrast. Going from one to the other feels more like rounding a bend in the lane than switching to a parallel road. She gives voice to the shared historical drama…
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Gisela João
To hear and see Gisela João is to be reminded of fado in its familiar glories, but also to be divested of its stereotypes. We remember, or learn, that fado can be cheerful as well as sad, that the feet can move as well as the body sway; that the deep emotion is restrained before…
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Tango-Fado
One of the happier minor features of the Cornelia Street Café is that from some seats in the house you can change your vantage by watching the musicians in a wall mirror rather than face on. This isn’t a bad metaphor for the reflections of and on musical forms that I saw and heard when…
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Sara Serpa
I’ve heard good report of the Portuguese vocalist Sara Serpa for a while now, and I finally heard her live on Friday night. Her genre is jazz, but do not expect to hear the standards from her, at least not in their usual form. Serpa is an experimentalist, and an intellectual, and her repertory includes…