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Poe X 2
It was interesting, recently, to see two stage treatments of the works, and in one case the life, of Edgar Allan Poe. Interesting, that is, in the differences and similarities between them and in the fact of their synchronicity. Each was flawed, but memorable, both singly and, by fortuity, paired. Each set Poe’s poetry to…
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The Descent of Orpheus
St. Paul’s Chapel is a lovely place, the sort of structure that tempts the non-believer to belief and, no doubt, reconfirms adherents in theirs. That aesthetics can have such an effect is one of mysteries of being human, and it applies, of course, to music as well as architecture. It is, then, appropriate that the…
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Baden-Baden
The first of four pieces in BADEN-BADEN 1927, Gotham Chamber Opera‘s update and reassessment of the German spa-town festival held in that year, is Milhaud’s “Abduction (or Rape) of Europa.” It happens in front of a picture by the contemporary artist Georg Baselitz, who is known for exploring identical images in multiple works and from…