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Carol
Acting is the art of the inscrutability of the self. If, as Sartre would have it, the other person is unknowable, and, as Grotowski said, “no one can know the mind of the other person,” then it is the actor’s conundrum to know the mind of the person she plays and make him knowable to…
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Thérèse Raquin
The whites, greys and blacks of the Roundabout’s THÉRÈSE RAQUIN are so muted that, when a brown-hued backdrop appears, it is like a flash of color, and so, later on, is a sparse scattering of autumn leaves, dropped and faded. The interiors, when they appear, are dim and woody, the windows opening, at best, on…
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A Doll’s House
The version of A DOLL’S HOUSE currently at BAM positions the iconic play within the Ibsen canon as a whole, an act that is no mere literary exercise, but which draws upon the entire body of work to invigorate the drama at hand. I think that there is no other playwright who so approaches Shakespeare…
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Enemy of the People
In Thomas Ostermeier’s version of ENEMY OF THE PEOPLE, we have met the people and they are us. In one of the cleverer manipulations of a Naturalist drama that I have seen, a genre of activist political theater is snuck right into the middle of Ibsen’s ironic critique of democracy and its discontents. The play,…
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The Master Builder
There is much to appreciate in the version of THE MASTER BUILDER now playing at BAM. John Turturro’s sheer onstage presence as Ibsen’s feckless protagonist can scarcely be gainsaid, nor can the charm and playfulness of Wrenn Schmidt as Hilde, the young woman who changes everything by walking into – BACK into – the master…
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La Traviata
Of all the performing arts, is any more obviously equipped to assert the largeness of human emotions in the face of eternity and infinite space than opera? The isolated instance of joy or pain breaks the confines of the human frame and demands the attention of the cosmos, or at least of anyone within hearing…
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The Hermitage in the Prado
THE HERMITAGE IN THE PRADO was not an overwhelmingly memorable exhibit, but agreeable in scale and very interesting. I’m not big on gold artifacts, but looked at plenty of intricately crafted items, and some intriguing and architecturally precise paintings of the Hermitage itself. There’s a good modernist selection. I especially liked seeing a female “Absinthe…
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Cries and Whispers
If there is a single work that drew me to European art film as an undergraduate it was Ingmar Bergman’s CRIES AND WHISPERS. With its ticking clocks, raw yet controlled acting, and dark psychology (including an act of self-mutilation the shock value of which has only recently been equaled by von Trier’s Antichrist) it was…
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Festival de otoño en primavera
I saw three shows at Madrid’s eccentrically named FESTIVAL DE OTOÑO EN PRIMAVERA (Fall Festival in Springtime), which brought a plethora of international theater to the Spanish capital in May and June. My listening comprehension of Spanish is what it is, so I would not pretend to have followed every thread of the multiple plots…