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Kianí Del Valle
Kianí Del Valle emerges, in the first part of Catacoustic Flesh, like a pupa discarding the chrysalis or a crab molting its shell. But there is something odd in the armature: it is more plasticine than organic and has a metallic sheen. It is seamed and riveted and too steely to let loose a thing…
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D.I.S.P.L.A.Y.E.D.
Heidi Latsky’s D.I.S.P.L.A.Y.E.D. is reached through several stories of descending stairway (or elevator), balcony, and lobby. On each level are encountered living sculptures, sometimes still as stone and other times in stylized motion. They evoke both classical sculpture and avant-garde fashion, draped in white but wearing 3-D geometric adornments, wires and corners contrasting the flow…