-
Mies Julie
Yael Faber’s MIES JULIE, which adapts the Strindberg play to what is bitterly described as “the new South Africa”, is a raw, explicit, and sanguinary baring of a national soul. The white Julie, whose class has ostensibly been defeated, still has her sexual encounter with John (the “Jean” of the original), whose class – and…
-
Donka
DONKA: A LETTER TO CHEKHOV is penned and posted in the language of circus. Jugglers, clowns, aerialists, and acrobats are its author. In their writing of it, the director Daniele Finzi Pasca tells us in the program, they “give shape to the silences” in Chekhov’s notes, diaries, and letters. This is not, in other words,…
-
Habit
Think of those situations when you find yourself looking through windows at the private lives of other people. Walks through small towns or suburban neighborhoods at night or in the evenings, when the lights are on in the homes you pass but the curtains are undrawn; certain units in apartment buildings right across the way…
-
Wuthering Heights
One of the clearer processes of action and reaction in cultural history was that Romanticism reacted against Neo-Classicism, that Naturalism reacted in turn against Romanticism, and that, in a somewhat minor aftershock, Aestheticism recoiled from Naturalism. Amongst the many remarkable things about the new film of Emily Brontë’s Wuthering Heights is that it brings the…
-
Beloved
In the early frames of BELOVED the ’60s Parisian shopgirl played by the resplendent Ludivine Sagnier lifts a pair of Dior pumps at closing time. She puts them on outside and thus begins her chance career as a streetwalker, through which she meets her Czech lover and the father of her child, whom decades later…
-
Heartless
In the mid-’80s I ventured to say in a published review of Sam Shepard’s True West that we were in a presence of a new dramatic genre, which I dubbed “the situation tragedy.” This notion was consistent, in retrospect, with a recognition on the part of Raymond Williams and others that circumstance had replaced action…
-
The Three Sisters
There were numerous Russian speakers in the audience for THE THREE SISTERS on Friday night at BAM, and a comment I heard on the way out was that people were laughing in the wrong places because the supertitles were not well synchronized with the dialogue. This comment intersected in my mind with another I had…
-
La Traviata
Of all the performing arts, is any more obviously equipped to assert the largeness of human emotions in the face of eternity and infinite space than opera? The isolated instance of joy or pain breaks the confines of the human frame and demands the attention of the cosmos, or at least of anyone within hearing…
-
Cries and Whispers
If there is a single work that drew me to European art film as an undergraduate it was Ingmar Bergman’s CRIES AND WHISPERS. With its ticking clocks, raw yet controlled acting, and dark psychology (including an act of self-mutilation the shock value of which has only recently been equaled by von Trier’s Antichrist) it was…
-
The Complete and Condensed Stage Directions of Eugene O’Neill, Vol. 1
The point of this post is not the Kraine Theater, tucked inside a portmanteau building on East 4th Street that also houses a second theater and a bohemian bar. The point is what the New York Neo-Futurists are doing inside, to wit (take a breath for this title): THE COMPLETE & CONDENSED STAGE DIRECTIONS OF…