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Sense & Sensibility
To put Jane Austen on stage is to make sensible the implicit theatricality of her novels. To be Kate Hamill, adapting Sense and Sensibilty as SENSE & SENSIBILITY, and acting its principal role, is to layer it further. To be Bedlam doing it at The Gym at Judson, with a flair for double-casting and Shakespearean…
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Thérèse Raquin
The whites, greys and blacks of the Roundabout’s THÉRÈSE RAQUIN are so muted that, when a brown-hued backdrop appears, it is like a flash of color, and so, later on, is a sparse scattering of autumn leaves, dropped and faded. The interiors, when they appear, are dim and woody, the windows opening, at best, on…
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From the Earth to the Moon
He was, when I was growing up, a boy in a normative Middle American family, essential reading, along with Conan Doyle, Tolkien, and a few others. But I have the sense, hoping that I am wrong, that Jules Verne is not, at least in this country, so much read anymore. Part of this is simply…
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Blue is the Warmest Color
The very first thing I noticed about BLUE IS THE WARMEST COLOR was that blue was the commonest color in shot, after shot, after shot. Articles of clothing, pieces of furniture, spots of paint on the wall, things on the street, park benches, blue in the background, blue in the foreground, blue somewhere in the…
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A Christmas Carol
Dickens’ Scrooge has always reminded me, at least a little, of Shakespeare’s Lear. There is a similar majesty to his tale, although the outcome is comic rather than tragic, and he is, of course, petty bourgeois instead of royal. In place of vain munificence, it is self-loathing stinginess that afflicts him, and he is brought…
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The Great Gatsby
I saw Baz Luhrmann’s THE GREAT GATSBY through 3D glasses, and I would not have seen it any other way. The whimsical unreality of it, the whole cinematic pop-up book of staggered planes and optically induced kinesthetic illusion, translates not only the novel’s style but its thematic essence. Gatsby is a novella of memory, of…
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The Turn of the Screw
The aesthetics of the ghost story and of horror in general are essentially those of the Symbolist movement that spanned the 19th and the 20th centuries. Phenomena that are perceived by the senses, say the sight of a ghost or the sound of a raven tapping on the chamber door, intimate the existence of a…
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Anna Karenina
I saw Joe Wright’s ANNA KARENINA a while ago and didn’t know what to think about it. This is not to say that I did not have feelings, thoughts, and sensations while watching it, that some of those were positive and some not, nor that I was not glad to have seen it (I was)…
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On the Road
Jack Kerouac’s On the Road was a literary rush when I read it sometime in the 1980s, the perfect expression of a sort of counter-mythology to the mainstream myth of the American Dream. The Dream myth holds that we can do anything we want in this country, choose our professions, attain wealth, and build families,…
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Paul Auster
New York has a lot of national centers and institutes whose programming I follow, but FIAF (French Institute Alliance Français) may have the most interesting and provocative. I say that as someone whose second language, such as it is, is Spanish, and who knows French only insofar as it resembles that other Romance language, or…