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Alberto Ginastera
Alberto Ginastera was born on April 11, 1916, and it was a hundred years later, on April 11, 2016, that the Spectrum Symphony presented a centennial commemoration of the Argentine composer at the Broadway Presbyterian Church in Manhattan. The wide-ranging and innovative concert wasn’t limited to works and performances by Ginastera or other artists with…
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Alondra de la Parra
I had no sense, before seeing her, of the impact Alondra de la Parra would make when she conducted the Philharmonic Orchestra of the Americas in a Dia de los muertos (Day of the Dead) concert at the Town Hall. There is an expression I heard once from a professional dancer – “making air” –…
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María de Buenos Aires
That which is good about Beth Greenberg’s production of Ástor Piazzolla’s MARÍA DE BUENOS AIRES for Opera Hispánica is so very good that one doesn’t even want to think about that which is awkward or even bad about it. The supertitles are dreadful, no matter how difficult the surreal imagery of Horacio Ferrar’s libretto is…
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Tangolandó • Fain-Mantega
It was, to be sure, a night of non-standard tango at Joe’s Pub. Tangolandó, fusing tango song with a distinctive Afro-Peruvian rhythm, closed out a program that began with the Dúo Fain-Mantega, consisting of piano and flute, the latter one of the early instruments in tango orchestras, along with the harp and violin, but not…
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Last Tango in Berlin
LAST TANGO IN BERLIN is the current show by the sort of legendary Ute Lemper (even though I have never warmed to her recordings), tango themed, in an intimate venue, around the block from my office. Of course I was going to go: she is a consummate performer, technically flawless, with a good band, deft,…