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Pericles
No play in Shakespeare is more impelled by the power of story than PERICLES. It could be a tale improvised on the spot, out of bits of myth and wrinkles of fate, a complication here, a resolution there. Its domain is the Mediterranean, which means, in the age of Shakespeare, a tale of all the…
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Two Gentlemen of Verona
Sets and costumes are, when you get right down to it, a bit redundant if you are the Fiasco Theater. They are the quintessential troupe, pop-up players who could make do with the clothes they came in, the lines in their heads, and whatever is lying about to make a prop of. But, since they…
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An Octoroon
As dramaturgy alone, AN OCTOROON is exhilarating, but its pleasures – for such they are – run deeper. The playwright Branden Jacobs-Jenkins and the director Sarah Benson have restored, recast, retooled, and revived Dion Boucicault‘s THE OCTOROON with a mimetic deftness that reifies and exposes the racialist assumptions and stereotypes that animate, indeed dramatize, the…