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Thérèse Raquin
The whites, greys and blacks of the Roundabout’s THÉRÈSE RAQUIN are so muted that, when a brown-hued backdrop appears, it is like a flash of color, and so, later on, is a sparse scattering of autumn leaves, dropped and faded. The interiors, when they appear, are dim and woody, the windows opening, at best, on…
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Romeo and Juliet
Tea Alagić’s production of ROMEO AND JULIET at Classic Stage Company is in the tradition of Peter Brook’s “empty space.” I can almost imagine that seminal figure of the modern theater as having directed it. The script is pared to its essence, to just the point at which trimming a little more would do injury…