MAC BETH
In Red Bull Theater’s MAC BETH, seven young women play schoolgirls acting out Shakespeare’s Macbeth. Their uniforms look Scottish; a pocket insignia can’t be read from the house, but the mind fi...
Hurricane Sleep
I hesitate to say that HURRICANE SLEEP comes on like an approaching storm, but that, in truth, is what happens. Andrea Goldman’s play (co-directed by Julia Watt) starts slow, builds, and sweeps thro...
Last Life
It is particularly true of Shakespeare that his individual works both feed off and nourish an entire body-of-work. Hamlet is the richer for Macbeth, Twelfth Night for King Lear, the comedies for the t...
The Bedbug
The rambunctious intelligence of Vladimir Mayakovsky’s THE BEDBUG is matched by that of the nine actors at the Medicine Show Theatre who play what were originally some 90 parts spread over a 50-year...
Yerma
Billie Piper deserves all the praise she gets as “Her” in Simon Stone’s YERMA, the Young Vic production now playing at the Park Avenue Armory. By the end she brings herself to a place of so much...
Platonov
Penned at great length when the writer was just 18, Chekhov’s Platonov (never formally titled) was rejected by the actress for which it was written and not produced or published in the author’s li...
The Hairy Ape
The first image you see at Eugene O’Neill’s THE HAIRY APE at the Park Avenue Armory are rows and rows of seats, ready to absorb the arriving audience into a yellow, Borg-like mass. The implication...
Simon Starling: At Twilight
SIMON STARLING: AT TWILIGHT documents a revival, by Starling, a visual artist, and the theater maker Graham Eatough, of W.B. Yeats’ At the Hawk’s Well, the 1916 Irish folk play that drew on Noh dr...