Feb 12, 2016

Annemarie Heinrich

They might, in an English novel, have been called “womanly,” the left perched elegantly on the grip of the cane, the right draped, like a napkin, across the opposite wrist. From there, the eye fol...
Feb 1, 2016

The Tango Fado Project

Manhattan Camerata will deliver again, this time with flowers, THE TANGO FADO PROJECT to (le) poisson rouge for, albeit a day late (on Presidents Day), a “Valentine’s Concert.” This is not a gim...
Jan 9, 2016

King Charles III

Watched without sound, the Broadway production of Mike Bartlett’s KING CHARLES III would suggest a Shakespeare in modern dress, a tragedy or a history, drawing some sort of parallel with the current...
Dec 28, 2015

A View From the Bridge

I took an onstage seat for the Young Vic production at the Lyceum in New York. First row, right, center. I stared at a black scrim, an aisle’s width away. Two hours later, there was a drop of red li...
Dec 6, 2015

Carol

Acting is the art of the inscrutability of the self. If, as Sartre would have it, the other person is unknowable, and, as Grotowski said, “no one can know the mind of the other person,” then it is...
Nov 27, 2015

Carminho • Sara Tavares

The fadista Carminho sang almost by surprise last week at City Winery. The concert was announced perhaps a week before, but she stood before a full house, following an energetic set by the Portuguese ...
Nov 25, 2015

Lulu

In William Kentridge’s production of Alban Berg’s LULU at the Metropolitan Opera, consciousness comes, hesitantly, into being, fragments, reconfigures itself, then shatters again, and is still, ho...
Nov 16, 2015

Lera Lynn

Start with her name and her voice. They both speak of country and its close cousins folk and Americana. The name implies a pedigree that, so far as I know, is coincidental (assuming it is not a stage ...
Nov 8, 2015

Thérèse Raquin

The whites, greys and blacks of the Roundabout’s THÉRÈSE RAQUIN are so muted that, when a brown-hued backdrop appears, it is like a flash of color, and so, later on, is a sparse scattering of autu...
Oct 29, 2015

Melissa Aldana

South Americans get the saxophone in a way that gets to me. It started with Gato Barbieri and Last Tango in Paris, his tenor paradoxically sharp and lush, a bite and a kiss. It stayed with me, like an...